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Lee Ann Brown
M.F.A., 1993, Brown University, Creative Writing
B.A., 1987. Brown University, Women’s Studies & English and American Literature with Honors in Creative Writing
1986, New College of California, San Francisco, C.A., Visiting semester in Poetics and Film
St. John’s University (2000-Present), New York City. Assistant Professor of English.
New School for Social Research (Spring 2002), New York City. Visiting Faculty, MFA Writing Program.
Lesley University (1999-2001), Cambridge, MA and nationwide. Adjunct Faculty, Creative Arts in Learning Masters Degree Program.
University of Maine at Orono, (February, 2001) Poet in Residence.
Barnard College (Fall 1999), New York City. Visiting Poet
Bard College (1997-Present), Annandale-on-Hudson. Associate, Institute for Writing and Thinking; Teach critical and creative writing in intensive Language & Thinking program for all Bard freshmen; Lead weekend workshops on Writing & Thinking for secondary and college teachers; Develop new strategies for the teaching of writing such as a course on Personal Dictionaries; Serve on plenary committee for conference: Poetry & Pedagogy (June 1999).
Columbia University (Summer 1998), New York City. Faculty, High School Creative Writing Summer Program
Conducted daily Workshops and Seminars on poetry, fiction and playwriting for intensive, month-long Creative Writing Program; Coordinated Publishing Elective for the student literary magazine, Quixotic.
Teachers & Writers Collaborative (1997-Present), New York City. Artist-in-Residence; Teach poetry & writing residencies throughout the New York City Public School System; Edit and produce anthologies representing each students’ work;
Received NBC Residency Grant for Teaching the Classics.
Featured Writer, T&W Website (twc.org).
Long Island University English Department, (1996-2001), New York City. Adjunct Faculty; Taught Composition & Literature courses.
Served on editorial board for Downtown, the University Literary Magazine.
St. John’s University, Notre Dame College, Staten Island Campus, (Fall 1996-1998), New York City. Adjunct Assistant Professor of English; Courses: Composition & Literature, Applied Linguistics, Post-1945 American Literature, Modern Drama and Creative Writing.
Just Buffalo Literary Center (October 5-7, 1997), Buffalo, NY. Lannan Foundation Writer at Work; Led workshop for 90 Buffalo Middle School students, gave featured reading (with Susan Howe), and radio interview.
The Naropa Institute, Department of Writing & Poetics(1991-Present), Boulder, CO. Visiting Faculty; Taught Graduate Course in MFA Program on Multicultural Women’s Writing (Spring 96); Guest lectured in courses: The New Long Poem and Contemporary Literary Theory. Directed independent studies with MFA students; Taught in Summer Poetics Program as Workshop Leader, Featured Poet, Panelist; 1999: Workshop: Present Tense: Writing in the Moment; 1995: Workshop: How to Read, How to Write: Planning a Long Term Project; 1994: Workshop: Deep Gossip: New York School Occasional Poetry; 1993: Workshop: A Pleasurable Grammar: Gertrude Stein & the Oulipo; 1992: Lecture: Math & Poetry in the Fourth Dimension; 1991: Workshop: Small Press Publishing.
Hostos Community College, City University of New York (Fall 1996-Spring 1997), New York City. Adjunct Faculty; Taught in English as a Second Language Intensive Program; Served as certified reader of City-wide CUNY Writing Assessment Test (WAT).
University of Rhode Island. Art Department (Fall 1994-Fall 1995), Kingston, RI. Visiting Lecturer; Taught courses in Filmmaking and Video Art; Participated in Sophomore Review Committee; Led Marjorie Keller Memorial Film Study Group in collaboration with English Department. Presented collaborative poetry and collage gallery show, Altered Dressers; Participated in two Faculty Group Shows, Main Gallery.
Community College of Rhode Island, English Department(Fall 1994-Spring 1995), Warwick, RI. Adjunct Faculty; Taught Composition & Literature courses.
Brown University, English Department (Fall 1992 - Spring 1993), Providence, RI. Graduate Instructor; Taught Beginning and Intermediate Undergraduate Workshops in Poetry and Poetics; Taught two sections of an interdisciplinary, conceptual Math course designed by Professor Thomas Banchoff on “The 4th Dimension”; Chosen as Graduate Participant in Year-long Seminar on Art in the Age of Difference, sponsored by the Pembroke Center for Teaching and Research on Women, (1992-1993); Guest lectured in undergraduate course, L=A=N=G=U=A=G=E Poetries, taught by Steve Evans, (Fall, 1992); Completed Harriet Sheridan Center for College Teaching Certificate Program; Spoke on panel on Careers in Writing for the Pembroke Center Alumnae Forum; Staffed the Brown University Writing Center (1994); Curated Writing, Film & Video Festivals in collaboration with the Modern Culture & Media Department, (1993 & 1995).
Virginia Center for the Creative Arts, Poets & Songwriters Collaboration, Amherst, VA, July 1999.
The Corporation of Yaddo, Saratoga Springs, NY, May 17—June 10, 1999.
The Rocky Mountain Women’s Institue, 1995-1996, Denver, CO.
Fondation Royaumont, Atelier Cosmopolite, Asniéres-sur-Oise, France, Summer, 1995. (One of ten international artists chosen for multidiscliplinary residency on collaboration and translation).
Djerassi Resident Artists’ Program: Artist-in-Residence, Woodside, CA, August, 1994.
MacDowell Colony: Artist-in-Residence, July, 1990.
Barnard College Conference on Poetry & Performance, Barnard College, New York City, April 8-10, 2002.
Celebration of the Sonnet, Folger Shakespeare Library, Washington, DC, April 2, 2002.
Featured Reading: Lee Ann Brown, Christian Bok and Ben Marcus, in conjunction with show, Heavenly Visions: Shaker Gift Drawings, The Drawing Center, 35 Wooster Street, NYC, December 4, 2001.
Conference on Gertrude Stein, hosted by NYU, Judson Memorial Church and The Poetry Project, October 2001.
“Festival Within,” reading and roundtables in celebration of The Best American Poetry 2001, Huntington L.I., September 29-30, 2001.
Insomniacathon, (Benefit for Louisville Battered Women’s Shelter), Louisville, Kentucky, February 24-25, 2001.
The People’s Poetry Gathering, presentation on Women’s Spirituality with Brenda Hillman and Claudia Rankine, Poet’s House, New York City, March, 2001.
The 3rd Annual Boston Poetry Festival, The Art Institute at Lesley College, July 21-23, 2000.
The Opening of the Field: Poetry of the 1960’s, University of Maine at Orono, June 28-July 2, 2000.
Poetry & Pedagogy, Institute for Writing &Thinking, Bard College, Annandale-on-Hudson, NY, June, 1999.
Barnard Innovative Women Writers Conference, Barnard College, New York City, April 8-10, 1999.
The People’s Poetry Gathering, co-hosted by CitiLore & Poet’s House, New York City, March 4-6, 1999.
Page Mothers Conference on Women Poet & Publishers, University of California at San Diego, March 4-6, 1999.
Centre de International Poesie Marseille (CIPM), Conference on American Cinema & Poetry, Marseille France, October, 1998.
Cambridge Conference of Contemporary Poetry, Jesus College, Cambridge University, England, April 24-26, 1998.
Assembling Alternatives: An International Poetry Conference / Festival, Featured Poet, University of New Hampshire, Durham, NH, (August 29– September 26, 1998).
George Mason University, Fairfax, VA, Visiting Poet, sponsored by Department of Creative Writing, (April 6, 1995).
University of California, San Diego: Featured Poet, Filmmaker & Lecturer in “New Writing Series,” sponsored by English & Art Departments (week of October 12, 1994).
Beat Conference, Featured Poet, Loeb Student Center, New York University, (May, 1994).
The New Freedoms: Contemporary Russian & American Poetry Conference, Featured Poet, Stevens Institute of Technology, Hoboken, NJ, (April 8-10, 1994).
First Festival of New Poetry at SUNY Buffalo, Featured Poet and Panelist, (March 31-April 2, 1993).
Poetry Workshop, taught by Forrest Gander, Guest lecturer, Providence College, (Fall, 1992).
“Multicultural Women’s Literature,” Guest lecturer, taught by Lorna D. Cervantes, University of Colorado at Boulder, (Summer, 1992).
Kootenay School of Writing, Vancouver, B.C., Weekend Residency, Reading, Film and Lecture, (August, 1991).
Artistic and Academic Service.
Visiting Artist for Undergraduate Senior Thesis Review, Performance Poetry, University of Pennsylvania, Shippensburg, (also performed, and gave interview for Reflector, the Undergraduate Literary Journal), April 1998.
Panelist, Grants in Literature, Bronx Council on the Arts, Spring 1998.
Panelist, Artists’ Projects Grants, Rhode Island State Council on the Arts, Providence, RI, Fall 1995.
Judge: eorge Grummer Poetry Award, Phoebe: A Journal of Literary Arts, George Mason University, Fairfax, VA, May, 1995.
Segue Foundation (1993-Present), New York City, Curator
Participate in long-running collective which programs and hosts weekly poetry reading in Manhattan at The Ear Inn, Here and currently, Double Happiness.
Curate and produce programs of “Cinemaki,” a series exploring parallel and intersecting practices between poetry and film, grants from NYFA & the Experimental Television Center.
The Poetry Project at Saint Mark’s Church (1988-1991), New York City, Monday Night Reading Series Coordinator & Program Assistant
- Curated and hosted the Monday Night Series for “emerging” poets and performers.
- Organized benefits, fundraising, and membership drives.
- Coordinated Writing Workshops.
- Catalogued tape and publication archives.
Collective for Living Cinema, (Spring 1987), New York City, Festival Intern. Assisted curators, Yvonne Ranier and Berenice Reynaud in producing the Third World Women’s Film Festival
Artists’ Assistant (1988-1991), New York City
Assisted poets Jackson Mac Low, Allen Ginsberg, poet and librettist Kenward Elmslie, painter Sylvia Sleigh, and playwright Richard Foreman with manuscript preparation, archival work and other projects.
Research Assistantship (Fall 1985), France & England
Assisted and traveled in France and England with author, Carol Cooke researching her book, Through a Glass Darkly, a fictional biography of Eleanor of Aquitaine.
Grand Street Gallery, premiere of “Color Work,” collaboration with Alystyre Julian, curated by Tim Griffin, Brookly, NY, February, 1999.
The Poetry Project, New York City, October, 1998.
Centre de International Poesie Marseille (CIPM), Marseille France, October, 1998.
Segue Foundation, New York City, Fall 1997.
Fondation Royaument, Asniere sur Oise, France, October 1995.
University of California, San Diego: October 12, 1994.
University of Rhode Island: Faculty Show, September 1994.
Women’s Reels: Cable Car Cinema & Brown University, May, 1993.
University of Rhode Island: Visiting filmmaker in class taught by Margorie Keller, April 27, 1993.
Boulder Arts Center: Venus Envy: Films by Women, Boulder Arts Center, Boulder, CO, October, 1992.
Anthology Film Archives: Fourth Annual Gay & Lesbian Experimental Film Festival, New York City, 1990.
MacDowell Colony: with Dan Eisenberg, Peterborough, NH, August, 1990.
Rapp Arts Center: Conspiracies, “Optical Converse,” New York City, May, 1990.
The Segue Foundation: Series curated by Henry Hills, New York City, December, 1989.
The Collective for Living Cinema: “New Filmmaker’s Showcase”, New York City, June, 1988.
The Poetry Project at St. Mark’s Church: Wednesday Night Series, New York City, May, 1988.
The Naropa Institute: Boulder, CO, July, 1987.
Brown University: Juried Spring Show, Providence, RI, May, 1987.
“Art for Plot” video installation, The Kitchen, New York City, March 2001.
Rocky Mountain Women’s Institute Showcase, Metro Gallery, July 6-July 27, 1996, Denver, CO.
Faculty Group Show, Fall 1994, Main Gallery, curated by Judith Tolnick, University of Rhode Island, Spring 1995, Kingston, RI.
“Altered Dressers,” in collaboration with poet and artist, Prageeta Sharma, Corridor Gallery, University of Rhode Island, Spring 1995, Kingston, RI.
Additional Featured Readings & Performances
Bard College, Locus Loquiter Series, hosted by Robert Kelly, Spring 1997 and August 1998.
The Blacksmith House, “A Celebration of Joe Brainard,” December, 1994, Cambridge, MA.
Bluefields Benefit Poetry Series, April, 1989, New York City.
Bluestocking Books, Belladonna Reading Series, with Adeena Karasick, September, 2001.
Books on the Square, Providence, RI, May, 1992. Brown University, Providence, RI.
“30 Minute Muse” with Miven Booth, 1984.
“Canned Goods Series” with Bernadette Mayer, May, 1990.
Graduate Writing Program Final Reading May, 1993, with Harryette Mullen.
Bernadette Mayer Benefit Reading, May 3, 1995.
Featured Teacher at Undergraduate Poetry Reading, May 12, 1995.
California Cafe Series, December 13, 1994, Providence, RI.
Dial-A-Poet Television: Cable Access of Dallas; November, 1991.
Diagonales, Centre de Poésie and Traduction, Fondation Royaumont, October 7, Asnierés-sur-Oise, France.
The Ear Inn, 326 Spring Street, New York City; 1990 with Bernadette Mayer, 1992 with Jerome Sala, 1993 with Miriam Solan, 1994 with Judith Goldman, 1996 with Cliff Fyman.
Hamilton College Intercollegiate Reading Series, Hamilton, NY, Spring 1987.
La Mama/La Galleria, Red Weather Magazine Benefit, New York City, Spring 1991.
Lizmar Lounge, performed with The Fugs, New York City, Winter 1989.
MLA: poetry readings in 1998, 2000, 2001.
The Naropa Institute (summers 1989-96, 1999) Boulder, CO, Thursday, July 13, 1995 with Robin Blaser, Eleni Siklianos, Allen Ginsberg, Anne Waldman & Jim Carroll.
New College of California, March 9, 1999, with Bernadette Mayer and Barbara Guest.
Nuyorican Poets Cafe, 1990, New York City.
The Poetry Project at St. Mark’s Church-in-the Bowery, New York City. Monday Night Series, with Ethie Stearns and Todd Penney, 1989; Wednesday Night Series, with Jean Day, 1990; Wednesday Night Series, with Erica Hunt, 1994; New Year’s Day Benefit Readings: 1987-1997; 1997 30th Anniversary Symposium; Wednesday Night Series, with Heather Ramsdell, 1998.
612 Metropolitan, with Bernadette Mayer, Brooklyn, NY, Spring 1991.
Schoolhouse Gallery, “Bardic Fling: Poets Who Sing” curated by Jennifer Liese, Provincetown, MA, Aug. 2001.
St. Antonio Rock Squat, Milan, Italy, October 15, 1995.
St. John’s University, English Department, 2001 & 2001.
Snug Harbor Reading Series, with David Shapiro and Steven Taylor, Staten Island, NY.
Subtext Series, March 18, 1999, with Kenji Yuda, Seattle, WA.
Small Press Traffic, (1990, 1992, 1994) San Francisco, CA.
Theatre for the New City, with Gregory Corso, and The Fugs, New York City, 1990.
La Penseé Sauvage Bookstore, September, Paris, 1985.
Shakespeare & Company, September, Paris, 1985.
Shakespeare & Company, Fire Benefit, New York City, 1990.
The United Nations, with Alice Notley & others, curated by Harris Schiff, 1988, New York City.
University of Rhode Island, English Department, February 11, 1995, Kingston, RI.
WBAI: Working Title, New York City, Fall, 1990.
WKCR: Composed on the Tongue, Columbia University Public Radio, New York City, hosted by Sharon Shively, September, 1990.
WNYU: Wordsongs, 1989 series.
Word of Mouth, “Bernadette Mayer Read-In,” Cambridge, MA, December 18, 1994.
Zinc Bar, New York City, with Julie Patton, August 1997, with Shelly Marlow, October 11, 1998, and with John Tranter, October 26, 1999.
American Poets, recorded by Juliette Valery, forthcoming, 2000.
“Tech Pledge” with music by Carbon, on Lip, A Benefit Compact Disc for WAC (Women’s Action Coalition), Spring, 1995.
“Poem #1056, by Emily Dickinson,” We Magazine #16, (cassette), edited by Chris Funkhouser, 1993.
“Pledge,” with music by Elliott Sharp on Compact Disc, Beneath the Valley of the Ultra Yahoos, 1992.
“The of a The,” with music by Sarah Boyd Blair on Compact Disc, State of the Union (Zoar Records), 1992.
“Last Night the Nightingale Woke Me,” Soundtrack for Allen Ginsberg’s Kaddish, Eye & Ear Poets Theater, New York City, 1990.
The Sleep that Changed Everything (Wesleyan University Press), 2003.
The 3:15 Experiment (The Owl Press), with Bernadette Mayer, Jen Hofer and Danika Dinsmore, 2001.
Dia/gnostic, artists book collaboration with Ann Slacik, limited edition, in collections such as Biblioteque National de France, and others, St. Deny, France, 2000.
Polyverse, Sun & Moon Press, Los Angeles, CA, winner of the New American Poetry Prize, selected by Charles Bernstein. (Reviews in The Washington Post, Publishers Weekly, American Book Review, The Poetry Project Newsletter, The Village Voice, Rhizome, Rain Taxi, Shark, Jacket Magazine (Australia) and Verse magazine’s yearly anthology of Younger Poets), 1999.
Pamphlets, Broadsides and Chapbooks
My Jupiter in Mid-Heaven Poetics, broadside for Insomniacathon Poetry Festival, (Benefit for Louisville Battered Women’s Shelter), Louisville, Kentucky, February 24-25, 2001.
“Obaa Agnes Inflorescence,” “How Glad,” and “Ballad of Vertical Integration,” Oasis Broadsides No. 76., to celebrate reading in Lit City series, New Orleans, LA, October 3, 2000.
Prise, (translation of Crush) by Éric Giraud and Holly Dye, edited by Juliette Valery, series publishes translations of American poetry into French such as Robert Creeley, John Ashbery, Elizabeth Willis, Norma Cole, Tom Raworth, George Oppen, Michael Palmer and others, (Format Américain), Bordeaux, France, 2000.
Jade Toys, (Backwoods Broadsides, Chaplet Series, Number 53), edited by Sylvester Pollet, Ellsworth Maine, 2000.
The Voluptuary Lion Poems of Spring, Tender Buttons, 1997.
Miss Traduction, Centre de Poésie et Traduction & Tender Lynx, Fondation Royaumont, France, 1995.
Crush, Leave books, Buffalo, NY 1992-93 Series.
poems by Lee Ann Brown, We Press, Santa Cruz, CA, 1993.
Present Beau Robin Blaser, limited edition broadside, Kavyayantra Press, Boulder, CO, 1993.
a museme, Boog Literature, Oceanside, NY, 1993.
Cultivate, Tender Buttons, Boulder, CO, 1991.
Poetry in Anthologies
An Anthology of International Poetry in English, edited by Rod Menghem & John Kinsella, Cambridge University, England (forthcoming, 2002).
The Best American Poetry 2001, edited by Robert Hass, (Scribner Poetry), New York, NY, 2001.
The Portable Boog Reader, edited by David Kirschenbaum, (Boog Literature), New York City, 2000.
Blood & Tears: Poems for Mathew Shepard, edited by Scott Gibson (Painted Leaf Press) New York City, 1999.
An Anthology of New (American) Poets, edited by L. Jarnot, C. Stroffolino, L. Schwartz, Talisman House, 1998.
Primary Trouble: An Anthology of Contemporary American Poetry, edited by Ed Foster, Joseph Donahue, and Leonard Schwartz, Hoboken, NJ, 1996.
Writing from the New Coast: Presentation, a special double issue of o•blek, edited by Connell MacGrath & Peter Gizzi, foreword by Steve Evans, (o.blek editions,) Buffalo, NY, 1993.
Fire Readings: A Collection of Contemporary Writing from the Shakespeare & Company Benefit Readings, “fireword” by Lawrence Ferlinghetti, (Frank Books, Vincennes, France), 1991.
Out of This World: An Anthology of the St. Mark’s Poetry Project, 1966-1991, edited by Anne Waldman, foreword by Allen Ginsberg, (Crown Publishers, Inc, New York City,) 1991.
The Anthology of First Annual Hamilton College Intercollegiate Reading Series, edited by William Rosenfeld, Hamilton, NY, 1987.
Poetry in Publications and Periodicals (1984—2001) “Summery” reprinted in An Exultation of Forms, edited by Annie Finch, University of Michigan Press, 2002.
Translations into French of poems from Polyverse by Sabrina Macher, Java, No. 21-22., Double Issue, Paris, France, Spring, 2001.
“Joe Acrostics” in special section, “Hello Joe: A Tribute to Joe Brainard, ” Pressed Wafer, (Boston, 2001)
“Ballad of Susan Smith” The Baffler, , Number 14, (Chicago, 2001).
“I Do This” and “Auspicious Window,” Crow, edited by Leslie Bumstead and Rod Smith, Washington, DC, Edge Books, 2001.
“Dear Rod Moth” in How 2 Write Love poems that Don’t Suck, by Delia’s and Charles Weigl, New York City, February 2001.
“You Are Not Gorgeous and I Am Coming” and “Sustain Petal,”Snare, Issue 2, New York City, edited by Drew Gardner, Fall 2000.
7 poems in How2: An Electronic Journal of Women’s Writing, edited by Kathleen Fraser and Kimberly Lyons, hosted by Bucknell University, Issue 8.
Collaborations with Rod Smith, Bernadette Mayer, Phil Good and John Enslin in RE*MAP, Issue # 7: Love, edited by Todd Baron, Los Angeles, CA, 2000.
“The death of love is very different from the death of death,” “The Apartment that Exploded, Document #3” and “Rose Clothed Ahead” Insurance: a magazine of new writing, Issue No. 1, edited by Kostos Anagnopolous and Chris Tokar, Brooklyn, NY, 2000.
“Dear Rod Moth,” Primary Writing, edited by Diane Ward and Phyllis Rosensweig, Washington, DC, 2000.
Homophonic translations, Reft and Light, Poems by Ernst Jandl with Multiple Translations by American Poets, Dichten =, No. 4, Burning Deck Press, edited by Rosmarie Waldrop, Providence, RI, 2000.
Translation into Serb-Croation by Dubravka Duric, from Polyverse, ProFemina Magazine, 21-22. Beograd, Yugoslavia.
Translation from Polyverse, by Boris Pintar, Mentor, Issue 3-4, 2000, Ljubljana, Slovenia.
“Rose Clothed Ahead” and “Sonnet around Stephanie” in Verse: Younger American Poets Issue, Volume 16, Number 3, Volume 17, Number 1, Plymouth State College, Plymouth, NH, edited by Brian Henry & Andrew Zawacki, 2000.
“Loaded Terms,” Combo #2, Providence, RI, Summer 1998.
“Villanelle on Being Alone,” “Susie Asado Breakdown,” Fence Magazine; Issue #2, New York City, November 1998.
Selections from Polyverse, Poet’s Sampler, introduced by Elaine Equi, sponsored in part by the Utah State University Press and the May Swenson Poetry Award Series, The Boston Review, Vol. 23, No. 5, October/ November, 1998.
“Writing in the Dark“ translated as “En écrivant dans le Noir” and “Dept of the Interior” translated as “Dept de l’Intérieur,” Centre de la Poésie Marseille, book for Poésie & Cinema Américains, Marseille, France, October 1998.
2 Poems for Allen” Booglit, New York City, Fall 1998. “Caitlyn Grace”, “Valentines,” and “Esmerelda Suite,” Combo #1, Providence, RI, Summer 1998.
“A Call for Vertical Integration in the Eye of the Storm” and “Ma Lab,” Jacket, edited by John Tranter, Volume 8, Australian on-line magazine, 1997.
“Limited Sight Distance,” “epigrams,” “Villanelle on Being Alone”, No Trees, Summer 1997.
“Icarus,” a collaboration with Susan Meyer Fenton, Chain, (Leave Books), Spring, 1996.
“Tuli’s Pleasure Gardens,” “Canto Cento,” Bombay Gin, Spring, 1996.
“Present Beau Robin Blaser,” Capilano Review, Festschrift for Robin Blaser, Vancouver, BC, Winter 1996.
“Respond to me,” “the lambs of time captive,” “Super high attic uterus,” “Variation on A Circle Play, A Play in Circles” and other collaborations with Marion Van Oyen, Susan Clarke, and Allison Bundy, Miss Traduction, Tender Lynx, Fondation Royaumont, France. Summer 1995.
“Axis of my Baby,”6ix, Vol. 4 No. 1, 1995.
“Apple Pie Epic,” “Clio Loco,” “Yoo-Hoo, Polyhymnia,” Phoebe: A Journal of Literary Arts, Summer 1994, George Mason University.
Velocity City, A.BACUS, Issue Number Eighty-Two, (18 pages of poetry), Potes & Poets Press, May 15, 1994.
7 Poems in “Word on the Street,” The Shambala Sun, Nova Scotia, Canada, Summer, July, 1994.
“Poem for Joe” and “Summery” in The Impercipient, Spring 1994.
“Deep Gossip Not,” “Renga” with Sianne Ngai, Judith Goldman, Lisa Jarnot, Chain, (Leave Books), Spring, 1994.
“Axis of my Baby,” “poem for lisa,” “Planet Stricken” Torque, Issue #1, New York City, 1994.
“Gerard for Unction,” 13th Moon, Volume XII, Nos. 1 & 2, State University of New York: Albany, NY, Spring, 1994.
“For Aylene,” The World, #48, The Poetry Project at St. Mark’s Church: New York City, 1993.
“Pre-Terpsichorean Chores” in Thermos 5, Albany, NY, Fall, 1993.
“Apple Pie Epic,” “Erato, Aerater,” “O No Melpomene,” “Truer, Pure Euterpe,” “Demi-Queer Notion,” Hyena, Volume 1, No. 2, Boulder, CO, October, 1993.
“Coffee,” “Yale Place,” Lingo, #1, Hard Press: W. Stockbridge, MA, 1993.
“The Dark Between the Frames,” Sentience/Cinematograph, The Foundation for Art in Cinema: San Francisco, 1993.
“Paper White,” “Pansy,” “Peony,” “Poppy,” Raddle Moon 12: The Known, Part IV, Description, Vancouver, BC., Canada, 1992.
“The Sleep That Changed Everything,” “Thang,” Hyena, Volume 1, No. 1, Boulder, CO, October, 1993.
“Discontinuous Autoharp,” We Magazine, Issue 17, Volume 2, published on BITNET, Albany & Santa Cruz, 1993.
“Epithalamium for Stacy Doris & Chet Wiener,” Astarte, Vol. I, No. I, Naropa Institute Summer Magazine, Boulder, 1992.
“A Double Triolet,” (with Lisa Jarnot), Black Bread #3, Gosling Press: Providence, RI, 1993.
“Moveable Landscapes,” The World, #43, The Poetry Project at St. Mark’s Church: New York City, 1992.
“Bodies Can Move This Way,” “Canzone Triste,” “Daylily Excuses,” Cathay, First Issue, Providence, RI, 1992.
“A Bird Flew By With A Vowel In Its Beak,” “El Floridita,” “The of a The,” “Heavy Earthly Diadems,” “Miss Inexactitude,” “Lyric,” Black Bread #1 , Gosling Press, Providence, RI, 1992.
“Come Go with Me,” “Body in Trouble,” (with Jennifer Moxley), The Impercipient, #3, Providence, 1992.
“Inner Crawdad Buzz,” (with Lisa Jarnot), “Air,” “Daybook,” “Monk Alone,” “Rakish Scrubbing of Graduate Gowns” (with Bernadette Mayer), Black Bread #2, Gosling Press, Providence, RI, 1992.
“(lake) O,” “Taxi Drivers This Year,” “both my lovers are broke,” “Crush,” (version), The Impercipient, #1, Providence, RI, 1992.
“Point Blue,” “Those with the Pointed Hats Consult Secretly in the Corner with My Mother,” Clerestory, (The Brown/RISD Journal of the Arts.) , Volume IX, Issue 1, Providence, RI, Fall, 1991.
“Crush,” (version), Front, Western Front Arts Center, Vancouver, BC, 1991.
“Pledge,” “After Sappho,” “list for summer,” (reprint), Southerners: Gay, Lesbian and Bisexual Southerners in New York City, Volume 2, Issue 3, New York City, 1991. “notes,” Manifesto, Naropa Summer Magazine, Boulder, CO, 1990.
“White Slippers,” “Chain reaction,” “little Dried Fish,” Shiny International: The Magazine of the Future, No. 5., New York City, 1990.
“Allegory for Frank Stanford,” We Magazine, Issue 12, Santa Cruz, CA, 1989.
“from Daybook,” Brief #4, Canyon, CA, May 1989.
“Beads,” Archeus, edited by David Marriott, London, England, 1989.
“speaking on & off our house,” “Ki-Ko-E-Ma-Su Ka,” “Dance Score for Marni Grant,” Pome, #3, New York City, 1988.
“Riddle,” Giants Play Well in the Drizzle, Issue 21, Brooklyn, NY, December, 1988.
“Oulipo,” Pome, #1, New York City, 1988.
“Warm and Fragrant Mangos, Thirty Calla Lilies,” The Poetry Project Newsletter, New York City, October/November, 1988.
“Alone,” Cold Water Broadside, #2, Norman, OK, 1988.
“Cooching,” The National Poetry Magazine of the Lower East Side, New York City, Spring 1988.
“Oracular Vowels,” “Jazz,” “Love,” “Summer List,” “Lust Far Away Zomer,” CUZ #2, The Poetry Project at St. Mark’s Church, New York City, 1988.
“Sonnet Around Stephanie,” Cold Water Business, edited by Elizabeth Robinson, Providence, RI, 1987.
“Prunes,” (for C.D. Wright), Southern Poetry Review, University of North Carolina at Charlotte, Vol. XXVII, No. 2., Fall, 1987.
“John Hay Smoking Opium,” Issues, Brown University, Providence, RI, 1987.
“Letter Out,” “Museum for Blossom Kirschenbaum,” Cleavage: The Brown Undergraduate Journal of Women’s Studies, Volume 1, Providence, RI, Spring 1987.
“Villenelle for Beth,” Bayleaves, Asheville, NC, 1985.
“Moving Earth” “Mayakovsky Mistranslation,” Black Mountain II Review, Volume VI, Buffalo, 1987.
“Untitled,” Positions, Providence, RI, 1986.
“list for summer” in Clerestory, (The Brown/RISD Journal of the Arts), Volume II, Issue 1, Providence, RI, Fall 1984.
Further Articles and Interviews
“Post-Chelsea Girls,” by Caroline Crumpacker, Provincetown Arts, Volume 15, Provincetown, MA.
Interview of Lee Ann Brown by Gail Nasel, Boulder Planet, Boulder CO, Volume IV, Issue 1., July 7- July 13, 1999.
Interview of Lee Ann Brown by Jason Brooks, Reflector Magazine, Shippensberg, PA, April 1998.
Essays, Reviews & Occasional Writings “On Form” in Pleasures/ Structures, edited by Annie Finch and Susan M. Schultz, (University of Michigan Press), forthcoming, 2002.
“Alphabet Bernadette” forthcoming in Page Mothers Anthology: Papers from UCSD Conference, edited by Fanny Howe, University of Arkansas Press, 2002.
Reviews of Ring of Fire by Lisa Jarnot (Zoland Books) and Richard Foreman’s play Now That Communism is Dead, My Life Feels Empty (Ontological Hysteric Theater), The Poetry Project Newsletter, Apr-May 2001.
“Personal Dictionaries” Teachers & Writers Newsletter, New York, NY, May-June, 1999.
“Extreme of Consciousness Writing” (on Hannah Weiner), The Poetry Project Newsletter, Jan./Feb. 1998.
“My Jackson Mac Low” in Crayon, Festschrift for Jackson Mac Low’s 75th Birthday, edited by Andrew levy and Bob Harrison, New York City, 1997.
“People Who Led to Me: Linked Writing in Response to Adrienne Kennedy’s People Who Led to My Plays,” Teachers & Writers Newsletter, New York, NY, Nov./Dec. 1997.
Review of Immediate Orgy & Audit by Ange Mlinko, The Poetry Project Newsletter, Spring 1995.
Review of The Fall of Orpheus by Lisa Jarnot, The Poetry Project Newsletter, Spring 1994.
“From CUZ to zuk” part of a forum on women’s editorial practices, Chain, Spring/Summer 1994, edited by Juliana Spahr and Jena Osman.
“Conversation with Bernadette Mayer,” Torque #2, Fall 1994, New York City.
“Dear Scarlet Cabinet,” The Scarlet Cabinet, by Alice Notley & Douglas Oliver, The Poetry Project Newsletter, Spring, 1993.
"Buffalo Stance,” Writing from the New Coast: Technique, edited by Juliana Spahr & Peter Gizzi, (o•blek editions), Buffalo, NY, 1993.
PATTERNS / CONTEXTS / TIME: A Symposium on Contemporary Poetry, Tyuonyi 6/7, edited by Charles Bernstein & Philip Foss, Santa Fe, NM, 1990.
Editorial and Publishing Projects
Open City Magazine (Fall 2001), New York City, Guest Editor,
Tender Buttons Press (1989-Present), New York City, Founding Editor & Publisher. Currently edit, design, and publish innovative and experimental poetry by women. Tender Buttons is an award-winning and influential press which has published titles including Sonnets by Bernadette Mayer, Not A Male Pseudonym by Anne Waldman, Trimmings by Harryette Mullen, Lawn of Excluded Middle by Rosmarie Waldrop, silent teachers remembered sequel by Hannah Weiner and Imagination Verses by Jennifer Moxley, in addition to numerous chapbooks, broadsides and monographs.
West Coast Line Magazine (Fall 1992), Vancouver, BC, Guest Editor. Edited and introduced , “New York City Sample,” a special section featuring work by ten contemporary New York City poets across the generations, published by Simon Fraser University, Issue Eight (26/2), Fall 1992.