Books:
Visual Studies
Modernism
and Nazi Painting (Basingstoke:
Palgrave Macmillan, under contract; due at the press October
2012).
Nazi
Art: An Anthology of Images, Texts, and Documents (Basingstoke:
Palgrave Macmillan, under contract; due at the Press in September
2012).
The
Last Taboo: The Rehabilitation of Nazi Artists in Postwar
Germany (London:
Continuum, under contract).
The
Invisible Museum: Unearthing the Lost Modernist Art of the Third
Reich (in
preparation).
House
of Art: A Cultural History of Nazi Germany (in
preparation).
Books:
Literary Studies
A
new translation, Friedrich Nietzsche’s On the Genealogy of
Morality, ed. Gregory Maertz (Peterborough: Broadview
Editions, under contract).
A
critical edition, George Eliot’s Middlemarch, ed. Gregory
Maertz (Peterborough: Broadview Editions, 2004).
Cultural
Interactions in the Romantic Age: Critical Essays in Comparative
Literature,
ed. Gregory Maertz (Albany: SUNY Press, 1998).
EXHIBITIONS
Curator,
“The World of Tomorrow: European and American Paintings at the 1939
World’s Fair” (in preparation).
Curator,
“Nostalgia for the Future: Tradition and Modernism in German Art,
1930-1945” (in preparation)
Curator,
“Art and Non-Art in German-Occupied Norway,” Bergen Art Museum,
Bergen, Norway (opening 2014).
Contributing
curator, “Kunst und Propaganda im Streit der Nationen 1930-1945,”
Deutsches Historisches Museum, Berlin (January 27-April 29,
2007).
Articles
in Books and Exhibition Catalogues(selected)
“Making
Radioactive Art Safe: The De-Nazification of Cultural Collaborators
in Post-War Germany,” Art
and Shame, ed. Martha Hollander (Ashgate, under
review).
“The
Romantic Idealization of the Artist,” Romantic Prose Fiction, ed.
Gerald Gillespie with Manfred Engel and Bernhard Dieterle
(Comparative History of Literatures in European Languages XXIII)
(Amsterdam: John Benjamins, 2008), pp. 135-158.
“The German War Art Collection,” Kunst und Propaganda im
Streit der Nationen 1930-1945, ed. Hans-Jörg Czech and Nikola
Doll (Berlin: Deutsches Historisches Museum, 2007), pp.
238-245.
“Die
Sammlung deutscher Kriegskunst der US-Armee: Kunst im NS-Staat und
Nachkriegspolitik,” Kunst
und Propaganda in der Wehrmacht: Gemälde und Grafiken aus dem
Russlandkrieg, ed. Veit Veltzke (Kerber Verlag, 2005), pp.
10-16.
“Exhibiting
Nazi Artifacts and Challenging Traditional Museum Culture: A
Conversation with Mitchell Wolfson, Jr.,” Acts of Possession: Collecting
in America, ed. Leah Dilworth (Rutgers UP, 2003), pp.
267-285.
“Reviewing
Kant’s Early Reception in Britain: The Leading Role of Henry Crabb
Robinson,” Cultural
Interactions in the Romantic Age: Critical Essays in Comparative
Literature, ed. Gregory Maertz (Albany: SUNY Press, 1998), pp.
209-226.
“Generic
Diversity and the Romantic Travel Novel: Godwin’s St. Leon: A Tale of the
Sixteenth Century,” Narrative Ironies, ed.
Raymond A. Prier and Gerald Gillespie (Amsterdam and Atlanta, GA:
Rodopi, 1997), pp. 267-282.
Articles
in Journals(selected)
“Nostalgia
for the Future: Proleptic Representation in Adolf Hitler’s
Collection of
Contemporary
German Art,” (in progress).
“Junge Kunst im Deutschen
Reich: The Last Modernist Art Exhibition in Nazi Germany,” (in
progress).
“Christian
Schad, Rudolf Schlichter, and Cultural Collaboration in Nazi
Germany,” (in progress).
“The
Wehrmacht’s Combat Artists and Official Modernism in Nazi Germany,”
(in progress).
“The
Munich Secession and the Arts Establishment in Nazi Germany,” (in
progress).
“The
Invisible Museum: Unearthing the Lost Modernist Art of the Third
Reich,” Modernism/modernity:
Special Fascism Issue, Volume XV: 1 (January 2008):
63-85.
“The
Invisible Museum: The Secret Postwar History of Nazi Art,” Center 23 (National Gallery
of Art, Center for Advanced Study in the Visual Arts, Washington,
D.C. 2003): 96-100.
“Carlyle's
Mediation of Goethe in its European Context,” Scottish Literary Journal
24: 2 (1997): 59-78.
“The
Importation of German and Dissenting Voices in British Culture:
Thomas Holcroft and the Godwin Circle,” 1650-1850: Ideas, Aesthetics,
and Inquiries in the Early Modern Era, Vol. III (1997):
271-300.
“Carlyle’s
Critique of Goethe: Literature and the Cult of Personality,” Studies in Scottish
Literature, Vol. XXIX (1996): 205-226.
“German
Paradigms and American Cultural Institutions: The Mediation of
German Literature in New England,” The European Legacy, Vol.
I, No. 3 (1996): 1064-1070.
“Generic
Fusion and Appropriation in Godwin’s St. Leon,” European Romantic Review,
Vol. 5, No. 1 (Winter 1995): 214-229.
“The
Eclipse of the Text in Carlyle's Critical Discourse,” The Victorian Newsletter,
Vol. 87 (Spring 1995): 14-20.
“Family
Resemblances: Intertextual Dialogue between Father and Daughter
Novelists in Godwin’s St.
Leon and Shelley’s Frankenstein,” University of Mississippi
Studies in English, New Series, Volumes XI-XII (1993-95):
303-320.
“To
Criticize the Critic: George Saintsbury on Goethe,” Papers on Language and
Literature, Vol. 30, No. 2 (Spring 1994):
115-131.
“Elective
Affinities: Tolstoy and Schopenhauer,” Wiener Slawistisches
Jahrbuch, Vol. 40 (1994): 53-62.
“Henry
Crabb Robinson's 1802-03 Translations of Goethe’s Lyric Poems and
Epigrams,” Michigan Germanic
Studies, Vol. XIX, No. 1 (Spring 1993):
19-45.