The First-Year Writing Portfolio

Individual pieces of writing do not offer an overall, holistic, or critical lens into a students’ competencies with writing or the greater social, linguistic context in which writing always occurs. The first year writing program, thus, values a portfolio approach for evaluating student writing.

As faculty, we can structure our courses around two, basic approaches for portfolio/assessment and the teaching of writing in our 1000c courses. The first option highlights a student’s sequential writing projects over the course of a semester. The second option highlights one, sustained inquiry project over the duration of an entire semester. Either of these two models should result in a final portfolio of at least 18-20 pages of writing for all students in 1000c that represent writing over the course of an entire semester.

At the end of each semester, we will come together for a 2-day portfolio seminar where we will look at student work for a collective, qualitative assessment of student writing.

Implementation Timeline: 2008-2010

The following timeline gives an overview for our portfolio discussions in IWS over the next two years.

Fall 2008 Assessment Seminar

* Introduction to Fall 2009 Portfolio Plan
* Begin work on collective report: Struggling, Excelling, and Emerging Writers in the First Year at St. John’s

Spring 2009 Assessment Seminar

* Complete work on collective report: Struggling, Excelling, and Emerging Writers in the First Year at St. John’s
* Compare the year’s data from Writing Inventory with qualitative analyses of student work
* Discuss and design new questions for Writing Inventory

Summer 2009

* Work on syllabi incorporating portfolio assessment into current courses (in the context of new 2-day schedules and hybrid courses)

Fall 2009 Colloquium

* Discuss and share with one another dilemmas and insights concerning portfolios and new syllabus design
* Discuss and share methods for communal assessment of portfolios in classrooms

Fall 2009 Assessment Seminar

* Share struggles and successes with portfolios and new syllabus design

Spring 2010 Assessment Seminar

* Share struggles and successes with portfolios and new syllabus design
* Compare the year’s data from Writing Inventory with qualitative analyses of student work
* Begin discussion of eportfolios and/or other changes to portfolio assessment

The Basic Requirements for the FYW Portfolio

As individual faculty members, we can add and build on to the basic portfolio skeleton described below in whatever ways best match the vision and focus of our courses. Both skeletons place a value on: 1) students examining their positionality and the larger world in which they live and act; and 2) students engaging research as a way to enlarge their thinking. In the ideal, these two skeletons will offer a general level of coherence to our program while also honoring individual, unique approaches to the teaching of writing. Each faculty member will explain how and why portfolio are used in their own course syllabi.

I. The Basic Skeleton of a Portfolio for Sequential Writing Projects

Reflective Opening

This is an opening letter to the portfolio that describes the contents of the portfolio and reflects on student writing throughout the semester. The letter should show how and why students have included the writings that they have chosen and how these writings are all related. Students should also address their own processes and learning in the semester as well as the program learning objectives.

A “Self and Society” Project

This is a piece of writing that consciously and explicitly addresses the student’s positionality in terms of race, class, gender, etc. It should be a critical, personal conversation that looks at self, world, and society.

Any Choice Project

This is any writing project that students or faculty want included that represents students as writers and thinkers.

Research/Multimedia Project

This is a research and/or multimedia project (with research conceived in the broadest sense possible to include texts like oral histories, ethnographies, reports of survey data, etc.). This piece uses multiple outside references.

1-2 Weekly Writings

This consists of 1 or 2 of the weekly writings students do to fulfill the 3-5 page writing requirement per week that the program requires.

OR

II. The Basic Skeleton of a Portfolio for Sustained Inquiry Projects

Reflective Letter

This is an opening letter to the portfolio that describes the contents of the portfolio and reflects on student writing in the semester. Students should also address their own processes and learning in the semester as well as the program learning objectives.

Foreword and/or Afterward

This is a reflection piece that shows how and why students “found” the topic/issue that they have chosen to think about.

Early Draft

This is the earliest draft of the inquiry project.

Annotated Bibliography with Rationale

This is an annotated bibliography with at least five sources. The rationale is where students describe how and why they incorporated the bibliographic references that they have chosen (i.e., do they use traditional MLA citations or other alternative ways and why?) In other words, the rationale explains how the research was figured into the project.

Final Draft

This should be the last and final version of the inquiry project.

1-2 Weekly Writings

This consists of 1 or 2 of the weekly writings students do to fulfill the 3-5 page writing requirement per week that the program requires.

Faculty can add to these requirements and organize the portfolio as best fits their classes. A sample has been provided from a fall 2008 semester that will be re-developed to include roundtables for fall 2009.

April Sikorski